The Clastic Music web app is an interactive application where images are rendered in real time and react to music and human input. It was conceived and developed by Eduardo Pérez Infante and Gabriel Vigliensoni. Clastic music web application interface Some time ago, Eduardo and I were working on an A/V presentation for a show at Mutek Montréal. We didn’t know at the moment, but that show turn up to be the Clastic Music record.

Scintillation is the result of a first time collaboration between CMD and vigliensoni. It explores our joint desires for fast-paced rhythms, propulsive basslines, and affective melodies. This is our contribution to the Dance Across Borders Vol. 3 compilation, the most recent edition of this series raising funds for the human rights organization Solidarity Across Borders (www.solidarityacrossborders.org)— a non-profit that works to protect human rights. Buy the full album on Bandcamp

Composed and produced by Gabriel Vigliensoni. Mastered by Rupert Clervaux. Concept design and cover by Antonia Hernández. CLAST Clast is a term used in Geology to indicate fragments of rocks, or minerals, of varying sizes and characteristics. Clastic formations are new rocks, forms, or entities created out of pre-existing clasts. Quartzite formations in clastic rocks. SCIENTIFIC RESEARCH For the past two years, I’ve been doing research on the creative affordances of machine learning in the context of music composition, production, and performance.

A restructured version of Shale. Composed and produced by Gabriel Vigliensoni. Mastered by Rupert Clervaux. Cover Art by Antonia Hernández. A Magical Substance release, AMS-008 Shale also appears in Clastic Music, released on 21 March 2022 by Chez.Kito.Kat Records © 2022 A Magical Substance ℗ 2022 Gabriel Vigliensoni Bandcamp | MusicBrainz | Discogs

Generative AI and HCI

Clastic (Edit | Restructure) is a shorter version of the one on Clastic Music. Just to make it sweeter and different. Composed and produced by Gabriel Vigliensoni. Mastered by Rupert Clervaux. Cover Art by Antonia Hernández. A Magical Substance release, AMS-009 Clastic also appears in Clastic Music, released on 21 March 2022 by Chez.Kito.Kat Records © 2022 A Magical Substance ℗ 2022 Gabriel Vigliensoni Bandcamp | MusicBrainz | Discogs

Journal of Creative Music Systems

Street improvisation with neural audio synthesis models. In the video I am improvising with sound artist dedosmuertos, in La Villette, Paris. I am interacting in real time with the latent space representation of several models trained on raw audio using the RAVE neural network architecture (Caillon and Esling, 2021). To interact with the latent space, I am using a Gametrak controller. By means of Wekinator (Fiebrink and Cook, 2009), an application for supervised, interactive machine learning, I’m mapping the performance space to the latent space representation of the model.

September 22–23, 2022. Morelia and CDMX, México.

Project conceived and developed by Maar Colasso and Gabriel Vigliensoni. Check the generative radio portal site. Ñe’ê: Earwitnessing hidden stories from the South is a generative radio project and sound performance that seeks to unveil stories and historical events from the Latin-American South on the idea of disappearance and memory. By placing together sound objects from distant geographies, times, and cultures in a non-binding way—therefore allowing the interaction of their contexts, memories, and temporal densities—this project aims at enabling the audience to reflect and provide meaning to these events.

Museo de la Memoria y los Derechos Humanos, Santiago, CL.

Eastern Bloc, Montréal.

Pirate Bloc Radio show.

June 16, 2022. London, UK.

June 20, 2022. Metz, France.

Milieux Institute, Montréal.

April 29, 2022. Montreál, QC.

CMMAS. Morelia, México.

CIRMMT. Montréal, QC.

Guest mixtape for Tëctónîcä Radio

Guest set for CMD’s Modular Systems show at CKUT 90.3 FM Montréal.

Guest set for Ola Radio. Marseille, France.